Portugal. The Man is a group of guys from Alaska, or at least was prior to members leaving. Their original band was Anatomy of a Ghost before they broke up in May 2004; so, the remainder of the group members ended up forming the experimental indie-trio Portugal. The Man. A few guys left, some new guys came, but all-in-all the two most important still remain. Nice rhyme, eh? Completely unintentional.
It’s Complicated Being a Wizard is a short EP that John Gourley conspired after creating Waiter: “You Vultures!” (another great Portugal CD). Even though it’s a twenty-three minute mini-album, it still packs a nice punch of ghostly and haunting psych-synth sounds. The entire album is a lucid, ethereal dream you’ll never wake up from. Or at least until it finishes.
It’s Complicated labels each individual track after a specific gem of wizardry. What each gem implies specifically, I haven’t a clue, but what I do know is that throwing this CD into one genre would be nearly impossible. Each individual song manages to sound similar to the others but at the same time keep its individualism; usually through various kinds of vocal presentation. Sorry to end this review rather short, but basically…the album is worth listening to.
Hitting popularity through the soundtrack of the popular movie Juno, Antsy Pants is a collaboration of Kimya Dawson (the other piece of The Moldy Peaches), a few of her friends, and a twelve year-old. Even though Kimya didn’t take the album that seriously, it still managed to sound great.
Antsy Pants is a fun and sweet album that will manage to even appeal to the uninterested. With such a quaint charm, the CD takes you to a warm and cozy place where your problems are too trivial to ever worry about. The lyrics aren’t the deepest but that’s what adds to the appeal of the whole thing. They keep it simple and they do it right. With songs about riding bikes (”The Mission”), falling out of trees (”Henry Kelly”), and vampires without fangs (”Vampire”), the immaturity of Antsy Pants sends out a vibe positive empathy that brings back old times when you were just a kid and your biggest responsibility was coloring in between the lines.
Antsy Pants mostly takes advantage of just a guitar/ukulele, but will seldom whip out the drums, or better yet, their twelve year-old singer, Leo (as heard in “Leo’s Mouth”), for a beat-boxing-style acappella. Kimya Dawson’s soothing voice and soft strumming makes no wonder why they decided to spread her all over the Juno soundtrack.
A big name for a big group, and I’m not talking about popularity points here. The Sound of Animals Fighting (TSOAF) is a collaboration of Rx Bandits, Circa Survive, Finch, Atreyu, Never Heard of It, The Autumns, Chiodos, Days Away, and Sunn O))) (simply pronounced sun). Whew, that was a mouthful. Anyways, their newest album (if you call May ‘06 new) is a dramatic shift from their old one. The previous and original CD was a progressive, post-hardcore mix with an opera-style layout. In Lover, the Lord has Left Us…, they decided to shake it up quite a bit with lots of electronic beats and foreign language for a completely new sound.
It’s hard to break down the album because it’s all so completely different. All of the bands come from different backgrounds and musical styles, but when combined together it creates a sound of beautiful chaos. With six different amazing vocalists (excluding the foreign singers), this CD is something to brag about. “Horses in the Sky” has a lot more energy and is definitely the more “hardcore” side of the band coming out; while “The Heretic” is the complete opposite. The rest of the album sticks in the middle of those two extremes.
Lover, the Lord has Left Us… is like a good cop/bad cop sort of scenario where they’ll kick your ass and then try to help you out. It’s a bi-polar, manic-depressive album with PMS. You never know what’s coming at you and once you figure it out, it stops being nice, and starts kicking dirt into your eyes.
Yesterday, Paramore’s lead singer Hayley Williams posted some disappointing news for some of their fans in europe. They canceled the last week of their UK/Europe tour due to “internal issues”. The band tried fighting through these problems for a few weeks, but decided that some time off would be best.
Today, she posted again to quell rumors that they were breaking up, or that she was pregnant. Now, does anyone really care? Maybe…but to me, they are just a dime a dozen in this industry. In other words, they ain’t no Blink-182.
hello everyone…
since we posted the last entry, we’ve gotten tons of phone calls and people posting things on websites saying that we are breaking up. i just want to make it clear, though, that by posting two nights ago we weren’t saying the band was over. we posted because we are going through hard times and we felt that because we have a really good support system in you guys, our fans, it would be better for us to just be honest about what’s going on - even though, it was a pretty vague explanation. man, some of the rumors that i’ve heard going around are insane! it’s weird how out of hand things can get even when you just try to tell a simple truth. (for the record, my eggo is not preggo). anyway, we just need to take time to make this band the best it can be… and we are doing that now.
thank you for all the love and the encouragement you guys have shown. and WE WILL! be seeing you guys on the 27th of March in Orlando, FL
Sometimes poppy, sometimes folky, Coconut Records is a solo project started by, drummer of Phantom Planet and actor, Jason Schwartzman (Rushmore, I Heart Huckabees, and The Darjeeling Limited). He plays the majority of the instruments on one hand while juggling his acting career in the other. Quite the multi-tasker :)!
Nighttiming was an instant win for me. The entire album is composed of a little bit of everything, so it manages to keep it appealing to all audiences. Schwartzman is a “jack of all trades” kind of guy who can make anything sound good. From country songs like “Mama” to love songs like “Easy Girl.” “West Coast” screams out INSTANT HIT with lyrics that bring out your inner-apathy, but a melody that fits any mood you’re in.
Nighttiming’s tempo is always calm, its beat always smooth, and its vocals always crisp. Simply put, the album is like a swiss-army knife. It has a small amount of everything put into one compact size for your enjoyment. Not feeling well? Need something to dance to? Feel like going back home to the west coast? Coconut Records has you covered.
